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・ Enrique Bolaños
・ Enrique Bolaños Abaunza
・ Enrique Bologna
・ Enrique Boned Guillot
・ Enrique Borja
・ Enrique Bostelmann
・ Enrique Breccia
・ Enrique Bunbury
・ Enrique Burgos
・ Enrique Burgos (baseball, born 1965)
・ Enrique Burgos (baseball, born 1990)
・ Enrique Burgos García
・ Enrico Paolini
・ Enrico Patrizio
・ Enrico Pazzi
Enrico Pedrini
・ Enrico Persico
・ Enrico Perucconi
・ Enrico Pfister
・ Enrico Pfister (curler)
・ Enrico Piaggio
・ Enrico Piccioni
・ Enrico Pieranunzi
・ Enrico Pieri
・ Enrico Platé
・ Enrico Poggi
・ Enrico Poitschke
・ Enrico Pollastrini
・ Enrico Polo
・ Enrico Pompili


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Enrico Pedrini : ウィキペディア英語版
Enrico Pedrini

Enrico Pedrini (15 January 1940 Montesano di Filighera – 19 April 2012 Genova) was an academic, theorist and collector of Conceptual Art. He also taught epistemology in Italy.
==Research and curation==
He placed particular emphasis on the work of Bernar Vernet, Art and Language, and Victor Burgin. Pedrini’s collection is focused on Dada, Fluxus, Minimal Art, Arte Povera, Vienna Aktionism, and Graffiti Art. His books and articles examined issues in Anthropological Art, Conceptual Art, and Possibilism, and include ''John Cage, Happenings, and Fluxus (1986)'' and ''The Quantic Machine and the Second Avant-Garde (1991)'' in which he discusses the relation between quantum theory and the visual arts movements of the 1960s.
Pedrini studied the interaction of dissipating systems, chaos theory, and new potentials of art. He curated a number of international exhibitions, in venues such as Studio Oggetto in Milan, the Persano Gallery in Turin, the MAMAC in Nice, and the Williamsburg Art & Historical Center in New York City. In 1995 he curated, with Wolfgang Becker, the Taiwanese Pavilion at the 46th Venice Biennale.〔(【引用サイトリンク】title=Taiwan Panorama )

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